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<channel>
	<title>Benjamin Roulet</title>
	<link>https://benjaminroulet.com</link>
	<description>Benjamin Roulet</description>
	<pubDate>Mon, 31 Jan 2022 14:03:39 +0000</pubDate>
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		<title>Front page</title>
				
		<link>https://benjaminroulet.com/Front-page</link>

		<pubDate>Sun, 09 Jan 2022 11:54:06 +0000</pubDate>

		<dc:creator>Benjamin Roulet</dc:creator>

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		<title>Bio</title>
				
		<link>https://benjaminroulet.com/Bio</link>

		<pubDate>Mon, 17 Jan 2022 14:35:53 +0000</pubDate>

		<dc:creator>Benjamin Roulet</dc:creator>

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Parisian based artist, photographer, digital retoucher, Benjamin Roulet (b.1985) is an outstanding jack of all trades. Graduated from the ESAD (Orléans, 2008) and ENSP (Arles, 2011), his complicity with computer and technology has a lot to do with his insatiable appetite for the photographic image of which he plays and thwarts the codes, not without humor. From 2013, after a time spent at the Pin Up studio, he develops his curiosity for fashion photography as a place for his experimentations resulting in numbers of editorials for magazines such as Television, Tank or Glamcult. He translates his research in the art field for the The Great Escape exhibition (Avignon, 2019) where he blends the physical space to the virtual using 3D scans and 3D prints into an installation. In Europa Europa exhibition (Niort, 2021), he called on the diorama, an immersive device and the ancestor of VR, to materialize 3D sculptures.

With François Bellabas, they form a duo of visual artists defining themselves as cyber optimists. Praising the relationship to machines through a profuse use of digital tools and technologies, they manipulate images and more precisely image as data. In 2017 they founded the Parisian creative studio Gourau &#38;amp; Phong as an experimental laboratory. By reconciling art, pop culture and tools the duo works to shape the image of tomorrow. They are regularly invited to teach or speak at conferences.
 ben ( a t ) gourauphong . com
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		<title>Rivage Research</title>
				
		<link>https://benjaminroulet.com/Rivage-Research</link>

		<pubDate>Sun, 09 Jan 2022 11:54:07 +0000</pubDate>

		<dc:creator>Benjamin Roulet</dc:creator>

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		<description>&#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/aeb951c8c912846ca9c3e56bd3a6c8093f313b7f15f6af0aa9a17bdc9afa2c19/LOGO_ANIM_001_0199.png" data-mid="132010236" border="0" data-scale="53" src="https://freight.cargo.site/w/1000/i/aeb951c8c912846ca9c3e56bd3a6c8093f313b7f15f6af0aa9a17bdc9afa2c19/LOGO_ANIM_001_0199.png" /&#62;&#38;nbsp; &#38;nbsp; 
Rivage Research was born during 2021 for the eponym exhibition for the Rencontre de la Photographie d’Arles and continued for the Europa Europa exhibition in Niort the same year. Benjamin Roulet and François Bellebas imagined Rivage Research, a pioneering start up specialized in the deconstructing and remodeling of reality.
 &#38;nbsp; &#38;nbsp; 
Through this interface, they question the deviances of research and hijack the contemporary forms of corporate communication. This fake company came to existence with the use of CGI, a graphic identity, a real geography, a wikipedia page, videos of marketing propaganda or found classified research results. They combine different artistic fields to showcase a sensible experience and a dreamed landscape.

&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/2ff3ea5c2690a27184a23a0dfa6fdaa3395065cf093bfa74d826f83539668dbc/_F9A2266.jpg" data-mid="129513013" border="0"  src="https://freight.cargo.site/w/1000/i/2ff3ea5c2690a27184a23a0dfa6fdaa3395065cf093bfa74d826f83539668dbc/_F9A2266.jpg" /&#62;


    




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&#38;nbsp;

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Exhibition view Rivage Research at Rencontres de la Photographie 2020</description>
		
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		<title>Pastoral Hood</title>
				
		<link>https://benjaminroulet.com/Pastoral-Hood</link>

		<pubDate>Sun, 09 Jan 2022 11:54:07 +0000</pubDate>

		<dc:creator>Benjamin Roulet</dc:creator>

		<guid isPermaLink="true">https://benjaminroulet.com/Pastoral-Hood</guid>

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Editorial for Tank Magazine Game Issue Autumn 2020


Pastoral Hood kick off from the idea of building an idealistic and poetic 3D map of Los Angeles while experimenting with&#38;nbsp; “ street photogrammetry “. Working in collaboration with Tank Magazine, a fashion and contemporary art magazine, we scan the model and incrust her in a selection of realistic backgrounds. Exploring two dimensions, from 3D and scan to classic photography Pastoral Hood is part of an continuous experiment, designed to approach new techniques and appropriate them in a light way, with the intention of democratising them.

2019 – Tank Magazine

Noëlla Neffati – ProducerJérôme Cortie – 3D AssistantNatacha Voranger – StylistVanessa Bellini – Make Up ArtistQuentin Lafforgue – Hair StylistLorena Prain – Model

www.tankmagazine.com


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</description>
		
	</item>
		
		
	<item>
		<title>Ville-Les-Bains</title>
				
		<link>https://benjaminroulet.com/Ville-Les-Bains</link>

		<pubDate>Mon, 31 Jan 2022 14:03:39 +0000</pubDate>

		<dc:creator>Benjamin Roulet</dc:creator>

		<guid isPermaLink="true">https://benjaminroulet.com/Ville-Les-Bains</guid>

		<description>
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Ville-Les-Bains is typical of a practice combining a 3D-scanned model, moving image and photography to create a fashion editorial. These landscape shots are combined with scans of a model taken in a photo studio at a later date.

 In turn, the combination of the imagery creates a story about “a regular girl living a generic world. It is a displacement of the reality enhanced by a visual culture of the video game realm.” This combination of real and non-real elements sees Gourau &#38;amp; Phong using reality as a playground once again, helping to define exactly what it is that makes the pair’ work so captivating.

 It not only demonstrates technical prowess and pushes what we consider to fall under the umbrella of photography, but it raises fascinating questions around truth and reality within the frames of an image. 

 

excerpt from It's Nice That article (full version here)

 

2018 - Magazine Television

Camille Bodinier - Stylist

Iscia - Model

Elléa Cartier - &#38;nbsp;Make Up Artist

www.television-magazine.com</description>
		
	</item>
		
		
	<item>
		<title>Good Odd Days</title>
				
		<link>https://benjaminroulet.com/Good-Odd-Days</link>

		<pubDate>Sun, 09 Jan 2022 11:54:08 +0000</pubDate>

		<dc:creator>Benjamin Roulet</dc:creator>

		<guid isPermaLink="true">https://benjaminroulet.com/Good-Odd-Days</guid>

		<description>
	
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In Good Odd Days, the photographs of Benjamin Roulet first seem to appear like amateur photographs. Using his point and shoot camera and guided by his intuition, he collects slowly but surely images around him. There is no rush about that. Something will always happen around as long as he decides to see it.

With a really tender, funny and poetic eyes, he records moments of friendship, work and party time. The everyday. His everyday. But this is only one part of his process. What Benjamin Roulet gives us to look at is mostly done at the post-production stage. At that specific moment, behind his screen, he plays with the material he collected and brings those images to a new dimension. In that multi-years set of images which might never end, the manipulation can really go from almost nothing to the most obvious. Looking at those images, we are always forced to rewind and to wonder what exactly we are looking at. 

Benjamin Roulet takes pleasure to maintain that ambiguity. But knowing what is real or false is not the most important thing here. What matters is what we are really used to see and expect. That way of mixing what looks like amateur photographs and a really controlled retouch is how he plays with our view. He brings us to a world you first think to recognize before to realize that it is not exactly what you were thinking. His world is a place where everything is possible and could happen. A strange and highly friendly world that you want to make it yours.






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35mm film / from 2010 until now</description>
		
	</item>
		
		
	<item>
		<title>Fiat America</title>
				
		<link>https://benjaminroulet.com/Fiat-America</link>

		<pubDate>Sun, 09 Jan 2022 11:54:08 +0000</pubDate>

		<dc:creator>Benjamin Roulet</dc:creator>

		<guid isPermaLink="true">https://benjaminroulet.com/Fiat-America</guid>

		<description>&#60;img width="2500" height="1964" width_o="2500" height_o="1964" data-src="https://freight.cargo.site/t/original/i/3d509bac4d8417f1895ef5f22455ad2911031b46a4c014c44a0c04d191d473e8/3.jpg" data-mid="130473237" border="0"  src="https://freight.cargo.site/w/1000/i/3d509bac4d8417f1895ef5f22455ad2911031b46a4c014c44a0c04d191d473e8/3.jpg" /&#62;


	
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In his photographic stagings of Fiat America, the gloom of the
peri-urban areas of the city of Orléans (FR) interferes with pastiches of
American communication, while the post-war architecture recalls the reality of
a common story. Benjamin Roulet play with the representation of the U.S goes through the deconstruction
of his imagery, then his reconstruction as fiction or simulation. The image
offers a new facet of itself through the demonstrability of editing and special
and technical effects used.&#38;nbsp;



 



&#60;img width="2500" height="1970" width_o="2500" height_o="1970" data-src="https://freight.cargo.site/t/original/i/aa10b1614cc42eb548660728de11d89da2f923832258854cb38ea4c921440e0b/12.jpg" data-mid="130473245" border="0"  src="https://freight.cargo.site/w/1000/i/aa10b1614cc42eb548660728de11d89da2f923832258854cb38ea4c921440e0b/12.jpg" /&#62;
&#60;img width="2500" height="1947" width_o="2500" height_o="1947" data-src="https://freight.cargo.site/t/original/i/0149df64d945512ea010b6e58410a0788ca88e2062a31690786b6fc380657e95/5_2.jpg" data-mid="130473239" border="0"  src="https://freight.cargo.site/w/1000/i/0149df64d945512ea010b6e58410a0788ca88e2062a31690786b6fc380657e95/5_2.jpg" /&#62;
&#60;img width="2500" height="1968" width_o="2500" height_o="1968" data-src="https://freight.cargo.site/t/original/i/b76e13718beff4594701246ccbd863b49082abd0cefd645b078bf30a2bf720b8/2.jpg" data-mid="130473236" border="0"  src="https://freight.cargo.site/w/1000/i/b76e13718beff4594701246ccbd863b49082abd0cefd645b078bf30a2bf720b8/2.jpg" /&#62;
4x5 film / 2008</description>
		
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