In his photographic stagings of Fiat America, the gloom of the peri-urban areas of the city of Orléans (FR) interferes with pastiches of American communication, while the post-war architecture recalls the reality of a common story. Benjamin Roulet play with the representation of the U.S goes through the deconstruction of his imagery, then his reconstruction as fiction or simulation. The image offers a new facet of itself through the demonstrability of editing and special and technical effects used.
